I’ve been obsessed with Italy’s sagre since my first introduction to them. So much more than food festivals (though food’s a big part of it), these are celebrations of a local community, culture and cuisine. The particular foodstuff they celebrate completely ranges — anything from white truffle to chocolate to pumpkins to chestnuts to wine. And the best season for them? The autumn! Which is why I just wrote about seven of the best sagre in Italy in autumn — from a little town just outside Rome to Puglia to Piedmont — for The Guardian. Check it out here.
Want to know the weather in Rome, Italy? You could obviously just check out the forecast. (Not that that’s necessarily that reliable). But you’ve wound up here instead, so I’m guessing you don’t want to know the Rome weather coming up in the next few days — you’re looking further ahead and curious what, say, the weather in Rome is usually like a few weeks or even months from now.
Maybe you’re trying to decide when to come to Rome. Or you’ve already chosen your dates, and you need to know what to pack.
So: here’s what to expect, season by season, in terms of the weather in Rome. And what this means in terms of what to pack and prepare for.
(PS: If you are looking for the weather forecast in the near future, two of my go-to sites are Weathercast and Accuweather).
Weather in Rome in… summer (spoiler: it’s hot, and they’re not that into a/c)
This is when things get nice and sweaty. Temperatures peak in July — that’s when you’re looking at an average high of 88°F (31°C). (While the average low is a comfy 62°F/17°C, if Rome ever hit that temperature in July, I’m pretty sure it’s while I was sleeping). It’s also the driest month of the year, with less than an inch of average rainfall. August is about the same — plus you have the double-whammy of the uber-crowds and that it’s ferragosto (read: when many restaurants and shops close as locals, reasonably, flee to the seaside). If you can swing it, June is milder and less crowded, especially earlier in the month.
Did you know there’s a pyramid in Rome? Neither do most people. And not only is there a pyramid, but it’s a pretty legit — and ancient — pyramid: dating back to 12BC, it was the over-the-top burial tomb of Caius Cestius, a Roman praetor with a thing for Egyptian style.
At 120ft (36m) tall, with a base of 97ft (29.5m) on each side, the Pyramid of Cestius is pretty hard to miss. It’s been largely overlooked for years, though, for a few reasons. For one, it’s located in Testaccio — a neighborhood that, while very much in the center of Rome, is just off the beaten tourist track. That’s changing, thanks to recent trends like the gamut of food tours that now run through the area. But the quarter remains less trodden than, say, the streets around Piazza Navona.
Not to mention that Rome’s pyramid was in bad shape. Once gleaming, white marble, it had become so dirty that, by the time I first laid eyes on it in 2009, it was a sooty, dark brown-gray. It was so bad that, having just scoured five years of photographs to see if I could find proof for you, it turns out I don’t have a single one — probably because, in all the dozens of times I walked past, it was so grimy I hadn’t felt moved to take a picture.
And finally, except for the occasional “extraordinary opening”, the pyramid was closed to visitors.
Last year, Rome launched a nighttime light show in the Imperial Forum (Fori Imperiali) at the Forum of Augustus. This year, it’s not only bringing the Forum of Augustus show back — it’s also starting a second one, at the Forum of Caesar.
I did the Forum of Augustus tour last year. It was excellent. I’m sure the Forum of Caesar tour will be the same.
(Note: This post was updated with current information in April 2017).
What makes these light shows/tours so cool? For one thing, both lead visitors through a usually-inaccessible archaeological site: the Imperial Forum, which was built by Caesar and the emperors who followed him and which, unlike the Republican Forum on the other side of the Via dei Fori Imperiali, you can’t buy a ticket to wander through. Instead, usually, all you can do is peer down at the Imperial Forum from the road. (Or from the museum at Trajan’s Market).
The sad news arrived this week that Italy is truly, finally getting its first Starbucks — which seems like the perfect time to talk about coffee in Italy. You know, Italiancoffee in Italy. What it is. How to order it. What the various kinds (macchiato, lungo, cappuccino, mamma mia!) really mean. And, naturally, where to find the best coffee in Rome (and beyond).
But first, let’s get one thing out of the way: what coffee in Italy is not.
How to know your coffee isn’t Italian-style
Italian coffee is not something you would mistake on the first sip for a weirdly hot milkshake. It does not require 10 minutes of you patiently waiting for a barista to make it only to then grab it to go and rush out the door with it in your hand as if, at that precise moment, the urgency of your situation suddenly became apparent. It is not served in a cup so large it could be mistaken for an army barracks stock pot.
And it does not in any way taste like peppermint, spiced pumpkin or like what would happen if you burned butter, added it to raw bitter greens, then boiled the two together. (Yes: that last point means properly-done espresso, from good-quality beans, does not have that burned, bitter taste that you get from a mug of classic Starbucks roast).<p?
Got it? Good!
Okay, fine, but what’s the big deal with Italian coffee, anyway?
You mean, why does Italian coffee have such cachet that leading coffee chains worldwide all give their menu items Italian names… no matter how American/British/fill-in-the-blank their drinks really are?
For one thing, because Italians invented coffee culture. No, they weren’t the first to harvest—or brew—the beans. But they were the first in Europe to open a coffee house (Venice, 1629), to invent the espresso machine (Turin, 1884) and to come up with the macchinetta (the stovetop percolator first produced by Bialetti, still the leading creator of the moka, in 1933).
Or, as the owner of Caffè Sant’Eustachio in Rome once put it to me years ago, when I asked him why he thought not a single Starbucks had opened in Rome:
“Macchiatto, espresso, cappuccino — these are all Italian names. Why would we buy the American version of these drinks when we’re the ones who invented them?”
In July, I filmed my first video for BBC Travel: It’s about how Rome’s ruins are at risk — and what’s being done (or not) to save them. The video is part of what we hope will be a series called Dissolving History, about cultural heritage under threat around the world. You can watch Dissolving History: Rome here.
But even when I’m not writing about cultural heritage directly, I’m writing about it somehow. It’s rare that I write a travel story — or take a trip at all — without somehow touching on the destination’s monuments and museums, its artifacts and archaeology. And I have a feeling it’s the same for most of you.
So it’s an important topic. And a surprisingly fun one. Check out the video for more.
And here are some behind-the-scenes shots, if you’d like to see…
I was fortunate enough to get an interview with Italy’s Minister of Cultural Heritage Dario Franceschini. Here, I’m debriefing with his aides after the interview.
First, let’s make one thing clear: The issue isn’t necessarily whether you should take a day trip from Rome to Naples. The issue really is that a day in Naples is not enough time to explore the full breadth of the city’s art and archaeology, its ridiculously good food and fascinating underground, its vibrance and energy
Or to even start to grasp its contradictions. Naples is a place where a spate of contemporary art museums have opened in the last few years, but where people still lower baskets outside their window to the street to trade cash for cigarettes. It’s a place where traffic patterns will sometimes completely break down, but where the buses are frequent and the brand-new subway stations have all been beautifully designed by contemporary artists. It’s a place where whole families will cram onto a scooter without a single helmet between them, but where you’ll be admonished by a well-meaning local if you dare to go out on a chilly night without a scarf around your neck.
Unsurprisingly, perhaps, a day in Naples also isn’t enough time for most people to “get” the city. It wasn’t for me.
To really start to dig into (and grasp) Naples, you need at least two, three days. Or, frankly, a lifetime. (For a very good sense of why it took me a few visits to capitulate to bella Napoli — but why I wound up falling for the city, hard — then read this piece I wrote for New York Magazine).
But most people coming to Italy aren’t considering whether a day trip from Rome to Naples is enough. They’re considering whether to visit Naples at all.
“Where can I find a good leather store in Rome?” has to be one of the most frequently-asked questions I get. Although I’ve dragged my (leather-clad) heels on writing a full list — it’s pending, I promise — here’s one to add: Mancini.
The little shop, tucked behind the Pantheon, got its start back in 1918. The great-grandson of the first owner runs it today. For a small place, it’s had an illustrious history: it provided leather for the 1951 film Quo Vadis, once made a leather folder (random, yes) for Pope Pius XII and was Gucci’s go-to spot for repairs for years.
Want to know the best ways to explore Vatican City and get to know the Pope — beyond St. Peter’s Basilica? Check out my roundup of Vatican secrets in the August/September issue of National Geographic Traveler (…it’s the cover story!), from where to shop for papal socks to seeing the “other” Sistine Chapel. Not in the US? You can also check out a version of the piece online here.
I can completely geek out on museums in Rome. So here’s an embarrassing confession for you: until a few months ago, I’d never been to Palazzo Altemps. And that’s even though, as one of the National Rome Museums, Palazzo Altemps was on the same entry ticket as some of my other favorites — Palazzo Massimo and Crypta Balbi in particular.
I told you. Embarrassing. Even more so when I went in December and realized just how much I’d been missing.
Brief background: Palazzo Altemps is, itself, a stunning 15th-century palace (albeit one with foundations that date back to an ancient Roman house) just around the corner from Piazza Navona. In 1568, a German cardinal with a penchant for ancient sculpture purchased it, and thus the collection was born. Although many objects have since been parceled off to other museums (the Louvre, for one), some extraordinary pieces remain — backdropped by frescoed rooms with painted, wood-beamed ceilings. And did I mention that you might be in these rooms by yourself? (It seems I’m not the only one who left Palazzo Altemps near the bottom of my to-do list).
Like this guy: the Grand Ludovisi Sarcophagus, which dates to the 3rd century; it was discovered near the Porta Tiburtina in 1621.
Let’s take a closer look, shall we? Because in case you missed it: the expressions on the pair in the middle — the Roman soldier, and the barbarian he’s about to slaughter — seem like exquisite portrayals of the kind of emotions that would actually be running through your veins (if there were room for any aside from ongoing expletives, that is).