Lots of Romans head out of the city this weekend, going home for Easter. One Rome resident who'll be around Easter weekend, though, is the Pope — and if you want to catch a glimpse of him, you have plenty of opportunities!
Today, the big Good Friday event is the Way of the Cross ("Via Crucis"). Be at the Colosseum at 9:15pm to see the Pope (and thousands of people); be aware that nearby streets will be blocked to traffic and that the Colosseo metro stop will be closed after 6:30pm. After all, just look at these crowds…
Tomorrow, the Pope will preside over the Easter Vigil at St. Peter's Basilica, starting at 9pm.
On Easter Sunday, the Pope will celebrate Mass in St. Peter's Square at 10:15am, followed by the "Urbi et Orbi" blessing from the central loggia of St. Peter's at noon.
And, just for fun, here are a couple more photos from last year's Via Crucis at the Colosseum.
Happy birthday to the world's most fascinating, historic, and beautiful city (yes, I'm biased): Rome! Tomorrow, April 21, marks the city's 2,764th birthday. (Although by now, who's counting?)
That means, of course, that Rome's going to celebrate in style. Including with free museum openings, shows, and other festivities.
At the top of our list of free, fun ways to celebrate Rome's 2,764th:
All day. Free museums. Rome's municipal museums are free, including great, off-the-beaten-path gems like the MACRO, Montemartini, and Ara Pacis. Here's a complete list of free museums on April 21 (in Italian).
9am. Ceremony with Rome's mayor, Gianni Alemanno. Rome's mayor lays a wreath at the Tomb of the Unknown Soldier at the Vittorio Emanuele monument, Piazza Venezia. Pomp and circumstance ensues.
11:30am. Concerts at the Campidoglio. Today it might be best known for Michelangelo's architecture, but back in the day, this hill was one of Rome's most sacred. Stop by for some music while the Granatieri of Sardinia look on.
11:30am. Reenactment of Rome's founding. At the Circus Maximus, the Gruppo Storico Romano performs the tale of Rome's 753 B.C. founding. Who will you root for: Romulus or Remus?
3:30pm. Inauguration of the "Bridge of Music." The bridge, in the Flaminio neighborhood near the MAXXI and other cultural gems, gets inaugurated to the sounds of the band of the metropolitan police corps.
4pm. Concert at the Capitoline museums. At 4pm, the Orazio Vecchi choir will give a free concert in the Pietro da Cortona room. Arrive early to get a seat.
6pm. Historical reenactment of Palilia. In front of the Bocca della Verità, the Gruppo Storico Romano will "perform" the pagan Palilia ceremony, a celebration of spring's arrival that Romulus himself was said to have participated in.
9pm. A "spettacolo" of light projections, performances and music. At 9pm at the Forum of Augustus (in the Imperial Forums), there'll be a show called "Roma/Amor, the birth and resurrection of the Eternal City," celebrating Rome from 753 B.C. right up until today.
A little bird has told me that my piece for AFAR magazine is out. Its May/June issue, which includes my two-page spread on Rome in its “Wander” section, hit newsstands this week.
Also, if you’ve never checked out AFAR before, do. It was launched mid-magazine Armagaddeon, when everything was folding — and I think it says a lot about the publication that not only did it hang on, it’s thriving. (I think the top of the cover says it all: AFAR was named Best Travel Magazine by the Society of American Travel Writers Foundation in 2010). You can find it at your local bookstore, or order it here for only $19.95 per year.
So you're coming to Rome… but you don't know much (or maybe at all!) about its history or art or sites, and the idea of digging into that thick old Rough Guide you've got is less appealing than gelato in a snowstorm. What do you do?
Crack the books — the fun ones, that is.
Really. There are fun books about Rome that you can actually (gasp!) learn from. And even if you don't remember the ins and outs of what you read by the time you get here, hopefully all that educational entertainment will have done something every bit as important: made you excited to see the forum, the Vatican, or whatever it is that you only originally put on your list because, well, it sounded important.
A caveat: I'm only recommending books here that I've read. And I know I'm missing lots of great ones. So, have you read an excellent book or novel about Rome? Put it in the comments!
Michelangelo and the Pope's Ceiling, Ross King. I still haven't read The Agony and the Ecstasy (I know, I know)… but I have to say that, for me, it'll be hard to beat King's version of the Michelangelo-versus-the-pope knockdown. King is the guy who wrote Brunelleschi's Dome — also a recommendation, if you're heading to Florence. And he has a knack for narrative that will have you hanging on every twist and turn in the Sistine Chapel saga.
Cleopatra: A Life, Stacy Schiff. This brand-new take on the woman history loves to hate wasn't quite as groundbreaking as it promised to be. After all, it's hard to completely reset someone's reputation when the only surviving sources about them come from their enemies. Even so, Schiff gets pretty close, trying to shine a light through the sources' (fortunately predictable) biases to illuminate who the real woman would have been. But all that aside, Cleopatra is, on its own, an addictive biography. You know how it all ends, but you can't help turning the page for more, more, more of this confident, extraordinary, anything-but-promiscuous woman Schiff paints for us. Plus, while most of the book deals with Alexandria, its section on what Rome would have looked like to Cleopatra on her visit (in brief: a backwater) is pretty entertaining.
Basilica: The Splendor and the Scandal: Building St. Peter's, R. A. Scott. She's been slammed for some historical inaccuracies, but there's no denying that Scott's a storyteller. And deserves major kudos for telling the sweeping 200-year history of St. Peter's Basilica with both page-turning speed and colorful details (Michelangelo didn't just "make his escape"; he made it "wrapped in a lavendar cloak the color of dusk, riding headlong against a sharp north wind"). The enormity of the basilica, and its history, here comes compact (less than 300 quick-read pages). That's a downside if you plan to be the next big St. Peter's Basilica expert… but a positive if you don't want your head to hurt.
Caesar: Life of a Colossus, Adrian Goldsworthy. He's the most famous Roman to have lived, and Goldsworthy does him justice. In this fat (632-page) but readable biography, he delves into the man behind the myth, from the stand-up to Sulla that got the 18-year-old banished from Rome right up to the world-rocking murder… with all of the juicy betrayals, affairs and shenanigans in between. Better yet is Goldsworthy's deftness in contextualizing Caesar and exposing the Republic's "rot". Be warned, there's a lot of detail here, and it might be little much for anyone who's not already drawn to the Roman Republic or Caesar himself. But for geeks like me those who want a real grasp on the guy who changed it all, it's just right.
Rome: The Biography of a City, Christopher Hibbert. For those who want the whole history, told in a relatively comprehensive and non-textbook kind of way, this is the big daddy. Hibbert's book takes you right through from 753 B.C. to the 20th century. It's hefty, but readable — although this is one I wouldn't go for until you're already pretty interested in the city. It also comes with a handy section on the history of individual sites in Rome, even the more minor.
The Smiles of Rome: A Literary Companion for Readers and Travelers, Susan Cahill. If you want something that you can pick up, put down, pick up, put down, look no further. This anthology of works by writers who lived in, or visited, Rome — from Ovid to Fellini, Henry James to John Updike — is full of by turns poignant, cutting, and witty impressions of the city. At the end of each piece, there are suggestions for a walk you can take that incorporates the sites written about.
Here’s some irony for you: Easter’s the most important feast in the Christian calendar — but in the home of the Pope himself, it’s also the toughest day of the year to find food. At least in restaurants in Rome.
Ironic or not, it, well, makes sense. Most Italians are at home on Easter, chowing down that feast with family. Even restaurateurs.
Whether it’s ironic or not, though, one thing’s for sure: For travelers to Rome, it’s definitely inconvenient. So find out what’s open in advance… and, since you’ll be competing for dinner slots with lots of other hungry travelers (it’s high season now, after all!), book your meals a few days ahead of time, too. Unless you don’t mind eating microwaved spaghetti and meatballs on Tourist Alley every night.
“So then, where do I book?” you say. “Which of Rome’s great restaurants are actually open on Easter? I’m so worried I won’t experience that fantasticItalianfood I’ve heard all about!”
If you haven’t been to Palazzo Farnese for its once-in-a-blue-moon opening to the public yet, then go — by April 27.
Here’s why: The palazzo is an architectural gem, designed in the 16th century by Antonio da Sangallo, Giacomo della Porta, and that guy everyone’s heard of, Michelangelo. It’s a treasure trove of art, including Annibale Carracci’s world-famous frescoes of romping gods and goddesses (pictured above — since no photos were allowed in the exhibition, courtesy of the Web Gallery of Art).
And Palazzo Farnese is a key piece of juicy Renaissance history: It was built by Alessandro Farnese (later Pope Paul III) after he got his start in the Church thanks to his sister, Giulia. Why was she so influential? Well, she was sleeping with Pope Alexander VI. That helps.
Did I mention the travesty fact that this lovely papal palazzo is closed to the public? Since 1874, it’s been the home of the French Embassy. That means you can’t just wander in off the street. Unfortunately.
Now, you can… or almost.
Since December, Palazzo Farnese has hosted an exhibit titled, quite simply, “Mostra Palazzo Farnese.” Because that’s exactly what it is: a rare display of the palazzo’s gems, not least of all its rooms and galleries themselves. The gorgeous courtyard alone boasts ancient sarcophagi and sculptures, many on loan from the Naples Archaeological Museum; for those who can’t get to Naples, the exhibit also has copies of the fabulous Farnese Hercules and Farnese Bull, both just too big to be moved. (Darn them for being so impressive!)
My favorite? The Venus Kallipygos, a 1st-century B.C. marble (based on a 3rd-century B.C. Greek bronze), as much because I get a kick out of its name — literally, “Venus of the beautiful buttocks” — as because it is, well, beautiful. From top to, er, bottom.
That’s not to mention the glittering tapestries, Renaissance paintings and portraits of the Farnese family that make up the rest of the exhibition.
As far as rooms go, though, there’s nothing quite like the salon frescoed by Annibale Carracci, the famous High Renaissance painter from Bologna. Now, his frescoes are little-recognized compared to, say, those by Raphael or Michelangelo in the Vatican, but that’s a shame: Art historians always have considered them an incredible blend of both styles, and they’re usually seen as the best frescoes of the High Renaissance. What Raphael lacked in power, muscularity and dynamism, Carracci’s got. And what Michelangelo didn’t quite grasp in terms of harmony, beauty, and elegance, well, Carracci’s covered that part, too.
Don’t believe me? Just check out this image (courtesy of the Web Gallery of Art):
Here’s a close-up of that great fresco you see at the far end, the Cyclops Polyphemus:
Pretty great stuff. But if you don’t get your bottom there before April 27, there’s no guarantee you’ll get a chance to see any of this again.
The cost of the exhibit, which includes a (unsurprisingly dry, but informative) audioguide, is €12, plus reductions. Don’t wait in line for your ticket — book your spot in advance. (Especially since the lines will probably get longer as the exhibit nears its end date!). Call 0632810 to book, or — easier still for those already in Rome — stop by the Feltrinelli bookstore at Largo Argentina. There, they have a “box office” where you can buy your tickets for one of the available time slots.
And if you’re still not convinced the Palazzo Farnese is worth beelining too — let me repeat, before it closes to the public once more — check out The Economist’s enthusiastic take on the Mostra Palazzo Farnese. (After all, if The Economist says it, it must be true).
From now until April 17, Italy’s state-run museums and sites are free. (Yay!) In Rome, that includes the Colosseum, Forum, Palazzo Massimo, Galleria Borghese (where you can find Raphael’s beautiful “Entombment,” above) and Baths of Caracalla… to name a few. Take advantage!
Whether you’re one of the brave souls coming to Rome for the beatification ceremony of Pope John Paul II on May 1, or someone who will just happen to be here anyway, be warned: You’re not the only one. It’s been estimated that 2 to 3 million pilgrims will alight on the city — doubling Rome’s population.
Obviously, we won’t know if that happens till it happens. But it’s probably smart to plan ahead. So anything you can book far in advance, whether hotel or Vatican or walking tour or restaurant, do. And bring your walking shoes: If this many people will really be here, that means cabs will be full and the bus and metro systems, already full during rush hour, will be packed all day along. But even if you’re all booked, remember that even the best-laid plans can go awry. That’s true on the best of days in Rome. It’ll be even more true now.
One thing that you should be able to count on, though, is the schedule of events for the beatification ceremony itself. The detailed schedule was just announced a couple of days ago. Here it is:
Saturday, April 30
8pm. Prayer vigil, Circus Maximus. Speakers will include Pope John Paull II’s closest aide, Cardinal Stanislaw Dziwisz, and his spokesman Joaquin Navarro-Valls; Pope Benedict XVI will recite the final oration and bless the people.
Sunday, May 1
9am. St. Peter’s Square. Hour of preparation, when the faithful pray the Chaplet of Divine Mercy together.
10am. The liturgy of the beatification, followed by a mass. At the end, a tapestry of Pope John Paul II will be unveiled. After, the Pope and cardinals will pray before John Paul’s body in St. Peter’s Basilica.
Evening. John Paul II’s remains will continue to be in front of the basilica’s main altar (known as the “Altar of Confession”), and pilgrims are welcome to venerate there.
Monday, May 2
10:30am. St. Peter’s Square. A thanksgiving mass will celebrate John Paul II, with music by the Choir of the Diocese of Rome, Choir of Warsaw and the Wadowice Symphony Orchestra of Poland.
If you haven’t been to Palazzo Massimo, then — even if you’ve seen the ancient statues in the Vatican and the ruins in the Forum — you haven’t seen the best of Rome’s archaeological finds.
(Note: This post was updated with current information in April 2017).
At this museum around the corner from the Termini train station, you’ll find some of Rome’s most famous bronze and marble sculptures — and then some. Treasures like ancient mosaics. Elaborately-carved sarcophagi. Incredibly-preserved frescoes taken from some of Rome’s most opulent ancient villas. Even the super-cool Fasti Praenestini, an enormous marble calendar set up in the forum of a nearby town.
First things first, though: Palazzo Massimo’s two most famous statues. I first encountered “The Boxer” in a college art history class. And lemme tell you, it’s even better in person. You can practically feel the exhaustion and melancholy emanating from the first-century B.C. bronze, slumping after his (unsuccessful?) match. Both this piece (above), and the magnificently-muscled “Prince,” were found at the Baths of Constantine in 1885.
But those aren’t the only (rightfully famous) ancient statues. The collection boasts not one, but two, ancient Roman copies of the 5th-century B.C. “Discobolus” (that super-classical athlete tossing a disc). Several beautiful Venuses. A statue of Augustus in the hooded guise of Pontifex Maximus.
And, from about 200 A.D., this fantastic sarcophagus:
The only sarcophagus I’ve ever seen approaching this one is the Alexander Sarcophagus. That one’s in Istanbul.
As much as I could go on and on about the Palazzo Massimo’s sculptures and sarcophagi, though, that’s not the real reason why you should go. The real reason is the ancient fresco collection. Not just because it’s fantastic, but because the museum has a whole section devoted to the Villa of Livia, Augustus’ wife. (Confused? Maybe it’s because I just wrote about the House of Livia and said that you can see it, and its frescoes, on Palatine Hill until March 30. But this is her other house, the one at Prima Porta).
Better yet, it’s set up more or less like the villa itself. So you can actually see how the rooms would have looked — complete not just with the frescoes on the walls, but delicate, detailed molding on the ceiling and mosaics on the floors.
One of my favorite rooms, though, is this one, taken from the ancient Villa Farnesina:
Pretty sweet. Not quite as incredible as the Naples Archaeological Museum… but almost. Since it’s right next to the Termini train station, you have no excuse not to go. I promise you won’t regret it.
Palazzo Massimo is located at Largo di Villa Peretti 1. It’s open every day but Mondays from 9am to 7:45pm; the ticket is €7 adults, €3.50 reduced, and also includes entrances into Palazzo Altemps, Crypta Balbi, and Diocletian’s Baths.
If you liked this post, you’ll love The Revealed Rome Handbook: Tips and Tricks for Exploring the Eternal City, available for purchase on Amazon or through my site here! I’m also free for one-on-one consulting sessions to help plan your Italy trip.
It wasn't until I moved to Rome that I learned something very, very important: The sign of a fresh (read: good) cannolo is that the tube is only filled with that delicious, just-cloying enough ricotta mixture when you order it. Not before.
That's just one of many things that Ciuri Ciuri, the Rome-based Sicilian pastry shop, does right.
You may have had cannoli before, but — unless you've been to Sicily — you probably haven't had cannoli like these. I once met a Sicilian girl living here who swore that Ciuri Ciuri's cannoli were the only ones she would touch between flights home. And, as a confession, I usually find Italian sweets not-quite-sweet-enough. (Hey, I'm American: More is better, baby). That's never a problem with Ciuri Ciuri. (That, combined with the fact that one of their stores is right across the street from me, makes this shop very dangerous indeed).
But no need to stop at a cannolo (with orange slice, pistachios, or chocolate chips, as you prefer). How about something Sicilian and savory, like an arancino? Or something that looks savory but isn't… like this marzipan? (I swear the corn cob tasted like corn. No, I wasn't sure how I felt about that).
Ciuri Ciuri isn't Rome's cheapest pastry shop. A cannolo is (if I recall) €2.50, and those three chunks of marzipan above set me back some €8.
But when it comes to tasting a little slice of heaven, who's counting coins?
Ciuri Ciuri has four Rome locations: Monti (Via Leonina 18/20), Celio (Via Labicana 126/128), Largo Argentina (Largo Teatro Valle 1/2), and Trastevere (Piazza San Cosimato 49b). (Click the link for maps). And, by Rome standards, they're open strangely late — till midnight at all locations but Celio, where they're open till 11pm.