Rome Archives - Page 7 of 10

Il Tajut: For Italian Food that’s Far from Rome

September 25, 2010 No Comments

When Il Tajut, my local cultural association, restaurant and wine bar, moved to the Parco degli Acquedotti this summer, I was despondent. When I wanted Italian food — but couldn't face another night of pasta amatriciana, gruff Roman service, and loud, packed restaurants — where would I go?

Thankfully, Il Tajut has returned from exile. And for a restaurant experience unlike Rome's usual offerings, it's as reliable as ever.

From the start, your experience at Tajut will be a little, well, different. Its door will be closed. You won't be sure if it's really a restaurant, or open, or not. Sometimes, you may have to ring the buzzer. And if it's your first time there, you'll also be asked to fill out a membership card with your name and details. That's because Tajut is a cultural association. (More on what that means in an upcoming post). Everyone who dines here has to be a "member."

The good news is, it's a good club to be in…even if, looking around you, you might notice few other members. On a recent Saturday when the restaurant had just reopened, only half of the tables were full. Usually, I take this as a bad omen. In Tajut's case, though, I think the place hasn't really been discovered yet. (Except for a review in Corriere della Sera last year that ripped them apart, particularly for not having many of their dishes on the menu. Oops).

So why recommend them? Because the food is reliably good, if not perfect. (And yes, the limited staff — the owner's always the chef, a blond woman's always the server — is often out of dishes). Most importantly, though, Il Tajut is different.

The menu features cuisine from Friuli, a small, northern Italian region that borders Slovenia and Austria. There's no amatriciana here; instead, specialties include frico, a flat cake made with potatoes, onions, and cheese (€9), shown at left; spatzli, a kind of pasta well-known to Swiss and Germans (€9); canederli, dumplings that here are made out of bread and mixed with butter and ricotta (€10); and goulash, that hearty stew usually credited with Hungarian origins (€10). The last time I was there, I had a delicious tagliolini with venison ragu and ricotta affumicata (€10). And the wine list is extensive, boasting a number of northern Italian wines that are hard to find elsewhere in Rome.

The place isn't perfect. A dish of sausage and potatoes (shown at top) was swimming in even more oil than you'd expect, most of the food is fairly heavy, and the prices are a little high for what's essentially peasant fare. The service (as in, the one waitress) isn't always particularly fast.

But for super-friendly, personalized service, a quiet, whimsical atmosphere, and a taste of something different, Il Tajut is just right.

Il Tajut. Via San Giovanni in Laterano 244, in Celio, near San Giovanni in Laterano and a 10-minute walk from the Colosseum. Dinner only; open from 7pm daily. For a map and more information, click here.

Art, Events, Museums

Rome’s Best Fall Events, from Art to Aperitivo

September 24, 2010 No Comments

Rome has so many exciting events coming up this autumn, I decided not to fit it all in one post. I will be updating this one, though (unlike my early-autumn events list), so bookmark this and check back. Last updated: November 11.

Lots of these events involve the extended, or free, openings of old favorites — so plan ahead to save a buck and miss the crowds.

September 21-25. Archeojazz, with a guided tour followed by a live jazz performance at the Mausoleo di Cecilia Metella.

September 25-26. European Heritage Days are here!

Until October 3. Oktoberfest in Rome, with music and lots of beers on tap from 6pm each night. Located on Via Appia here. (It’s not in the center).

Until October 29. The Vatican museums open at night. And each Friday in October, they’ll have live concerts, too.

Until October 28. The Villa Farnesina, usually open only weekdays from 9am-1pm, is open every Thursday evening, with free guided tours, from 7:30pm-10pm.

November 17. Budapest Bar-Urban Gipsy concert at the Museo dell’Ara Pacis at 9:30pm. Reservations are required (call 060608), and the concert is free.

November 20. Musei in Musica, with free live concerts (and a couple of dance performances) in 47 different museums and institutes in Rome.

November 27. Jazz Noir at the Museo di Roma in Trastevere, a free performance of music and noir lit reading at 5pm (with your €5 ticket to the museum).

Until December 2. RomaEuropa Festival. The annual festival, now in its 25th year, boasts a series of music, dance and theater performances. Highlights this year include a production of “Orpheus” with hip-hop music and music by Monteverdi and Philip Glass, the British rock group “The Irrepressibles,” and Laurie Anderson’s “Delusion,” a multimedia series of mystery plays that include violin, puppetry, and visuals.

Until December 28. On the last Tuesday of each month, some museums and sites in Rome, including the Borghese, Barberini and Baths of Diocletian, will be open from 7pm-11pm for free.

Until January 8. Each weekend except for the Christmas holidays, the Centrale Montemartini hosts its “Central Notes” concerts. The food and wine tasting, plus concert, costs €8. The showings are on Fridays at 8pm and Saturdays at 10pm.

Until January 9, 2011. “The Two Empires: The Eagle and the Dragon,” an exhibit comparing the ancient Roman and Chinese empires, is on at the Roman curia and, after November, Palazzo Venezia.

Until February 6. “Vincent Van Gogh: Campagna senza tempo e città moderna,” an exhibit of Van Gogh’s works, will be on at the Vittoriano.

Until February 13. Lucas Cranach: The Other Renaissance, an exhibit of Cranach’s work in the Borghese gallery.

Archaeological sites, Art, Beyond Rome, Events, Museums, Rome

On Tuesday Nights, Free Art Across Italy

September 21, 2010 3 Comments

Just in case all of the fun events and free entrances on European Heritage Day (September 25-26) weren't enough for you, mark the last Tuesday of the month in your calendar, too.

That's because, on the last Tuesday each month through December 28, a series of state-run museums and sites will have late openings and free entrances. It's called "Martedi in Arte" and takes place across Italy. In Rome and Lazio, the following sites will be open from 7pm-11pm and will be free:

Palazzo Barberini, with its reopened archaeological exhibit, Via Quattro Fontane 13
Pantheon
Borghese Museum
Galleria Nazionale d’Arte Moderna e Contemporanea, Viale delle Belle Arti 131
Baths of Diocletian, Via Romita 8
Crypta Balbi, Via delle Botteghe Oscure 31
Museo Nazionale Romano and Palazzo Massimo, Largo di Villa Peretti 1
Palazzo Altemps, Via di S. Apollinare 44
Museum of Castel Sant’Angelo, Lungotevere Castello 50
Villa d’Este, Tivoli (shown above)
Hadrian's Villa, Tivoli
Necropoli, Strada Provinciale Monterozzi Marina, Tarquinia

To see which sites will be open elsewhere in Italy, check out this list on MiBAC's site (in Italian, but pretty self-explanatory).

Archaeological sites, Events, Rome

Night Tours of the Baths of Caracalla, in the Guardian

September 21, 2010 No Comments

After posting about the opportunity to take night tours of the Colosseum and the Baths of Caracalla, I took a night tour of the baths myself — and wrote about it for the Guardian newspaper. You can read my piece, which posted today, here.

And let me tell you, grabbing night photos of those ruins while following a tour guide around was not the easiest….I’m glad my forgiving editor decided that at least one of the snaps was up to snuff. Here are a couple more..

Archaeological sites, Art, Events, Rome

Tonight, the Colosseum Will Go Up in Flames

September 17, 2010 No Comments

If you see the Colosseum burning this weekend, don't call the fire brigade: The flames are virtual.

Artists Thyra Hilden and Pio Diaz, from Denmark and Argentina, respectively, are putting on the show by using a pre-recorded video of real fire and projecting it onto the structure. Their digital manipulations of the film mean that they even can recreate the effect of wind fanning the flames — and the result is so realistic that, in the past, people have called emergency services.

The Colosseum show is part of their project "City on Fire: Burning the Roots of Western Culture." The two artists have been "burning" monuments since 2005, including the Trevi Fountain, Copenhagen Cathedral, and Seoul Museum.

The show will take place on the nights of September 17, 18, and 19, from 8:30pm to 2am. Given the recent announcement that Rome is looking for sponsors to restore the Colosseum and keep it from, well, crumbling to the ground, seems like kind of an odd choice.

Or, perhaps, an appropriate reminder that these monuments won't simply stand on their own forever.

Archaeological sites, Beyond Rome, History

The Ancient, and Roman, Ruins of Istanbul

September 14, 2010 1 Comment

At first glance, Istanbul appears anything but a city tied to ancient Rome. Mosques and minarets, not ancient temples, dot the Turkish capital’s skyline. Its forum is hard to find, most of its imperial monuments long gone.

For a city that became part of the Roman empire in 73 A.D., and was turned into the capital, and dubbed “Nova Roma,” by Constantine in 330, it can seem surprising. But to find hints of the city’s classical past, you have to look more closely.

Searching for Roman ruins in Istanbul? Here’s where to find them. I’ll post this in two sections, so look out for the second installment tomorrow (here it is!).

1. The basilica cistern. Even if you’re not all that interested in Istanbul’s ancient ruins, the cistern (shown above) is a must-see, if only for its eeriness: Descend down 52 stone steps, and you’re suddenly in a
cavernous chamber filled with ancient columns, each lit with a dim light, echoing
with splashes, the whispers of tourists, and (unfortunately, I think) “atmospheric”
music.

The cistern was built by Emperor Justinian I in the early 6^th
century, on the same spot as a basilica that had been first built by
Constantine two hundred years earlier. More than 105,000 square feet in area
and capable of holding 100,000 tons of water, the cistern provided water
filtration for Constantinople’s palace. More than 7,000 slaves were used to
construct it.

And all of those columns holding it up? There are 336 in
total, and they’re all ancient, too—most of them taken from even older structures
elsewhere in the empire. (Sound familiar? That kind of recycling is something
Rome, too, is known for, from the ancient Egyptian obelisks that dot the city
to, later, the use of the Roman ruins themselves in Renaissance-era buildings
like St. Peter’s Basilica). Most of their origins are mysterious, but some—like
the two upside-down Medusa heads—are particularly intriguing.

2. Column of Constantine. Erected in 330 A.D. by Emperor
Constantine to commemorate his new capital, the 115-foot column would once have
been another 50 feet tall. It also boasted a statue of Constantine on the top,
carrying an orb with a piece of the True Cross. A sanctuary at the column’s
foot included a number of relics, including an alabaster ointment jar that
belonged to Mary Magdalene, the basket from Christ’s miracle of the loaves and
fish, and a statue of Athena from Troy.

That’s all long gone, and the column
isn’t quite as impressive today. But there’s no beating it as a (conveniently central) reminder of how integral Constantinople
was to the ancient Roman empire.

3. The Valens aqueduct. Spanning one of Istanbul’s main
thoroughfares, the aqueduct is such a matter-of-fact part of the fabric of
modern Istanbul that it’s easy to forget it’s an ancient ruin. But it is. Built
in 368 A.D. by Emperor Valens, the aqueduct once ran for about 3,200 feet. The
surviving section today, at 3,020 feet, is nearly as long—not bad for a 1,600-year-old
structure. Just as the popes in Rome restored ancient aqueducts, so, too, did the
Ottoman sultans in Constantinople, meaning the aqueduct remained the city’s
main distributor of water through the Middle Ages.

4. The Hippodrome. You could walk right through
Istanbul’s ancient hippodrome—built for chariot races by Emperor Septimius
Severus in the early 3^rd century, and restored and enlarged by
Constantine 100 years later—without realizing it. Today, all the seats and
most of the structures are long-gone. The only hint you have that the site once was a
stadium able to hold 100,000 spectators is in the shape and dimensions of
Sultanahmet Square, which more or less follows the lines of the ancient circus.
(Just as Piazza Navona in Rome today has the same shape as Domitian’s first-century
Circus Agonalis).

But some monuments do remain. Perhaps the
most evocative is the Serpent Column, brought by Constantine from
the Temple of Apollo at Delphi. Also known as the Plataean Tripod of Delphi, the
column was cast in 479 B.C. to celebrate the Greek victory over the Persians. Persian
armor and weaponry was melted down for the column, and all of the names of the
Greek city-states that fought in the battle were etched into the sides. A gold
tripod, later lost, initially sat on top, supported by three serpent heads.

For a visual of what the chariot races once would have
looked like, the Obelisk of Theodosius is a must-see, too. The obelisk itself is
actually ancient Egyptian, dating to the reign of Tutmoses III around 1450 B.C.
In Alexandria until 390, it was moved to Constantinople by Emperor Theodosius
I. Underneath, a marble pedestal shows scenes including the chariot race
itself, and Theodosius giving the winner the laurel crown of victory. And then
there’s the typically-imperial inscription in which the emperor lauds none
other than himself—in this case, for supposedly moving the obelisk and
re-erecting it in just 32 days.

Here’s where to find Istanbul’s ancient Roman sites, part II!

Beyond Rome

Off to Istanbul, the Other Rome

September 5, 2010 2 Comments

You can visit Rome, tour the forum, Pantheon and Colosseum, even visit the Baths of Caracalla, Hadrian’s villa at Tivoli, and the ancient aqueducts — and you still won’t get a full sense of the Roman empire.

The only way to do that is to visit Istanbul, founded as Constantinople — the new capital of the ancient Roman empire — in 330 A.D.

When people say the Roman empire “fell” in the 5th century, they’re wrong. The eastern half soldiered on. It was later dubbed the “Byzantine empire” by historians who wanted to make a nice, clean break for the timeline… but those living in Constantinople at the time would have considered themselves Romans.

Constantinople continued as the empire’s capital for nearly another millennium. And many traces of the city’s Roman past still remain. Both the Hagia Sofia and basilica cistern, two must-see sites, were built in the 6th century by Emperor Justinian, who wanted to bring the Roman empire back to its former greatness and reconquer the western half. Then there’s the hippodrome built under Emperor Septimius Severus in the 3rd century, and Constantine’s inaugural column of 330, and the classical sarcophagi, mosaics and other artifacts of the Archaeological Museum.

In a sense, Istanbul is Rome, its successor and its heir. I’ll be traveling through Turkey for the next week, and as I go, I’ll be posting about what to do, see and eat. Please enjoy this brief break from the eternal city. I’m sure I will!

Churches & holy sites, Rome

Santo Stefano Rotondo, for Strong Stomachs Only

September 1, 2010 5 Comments

If you get nightmares — or nausea — easily, don't visit the Basilica of Santo Stefano Rotondo.

Think you can handle it? Then welcome to some of the most graphic frescoes of 16th-century Rome.

First, though, there's more to this church than its frescoes. Built on top of the remains of a 2nd-century Mithraic temple (currently being excavated), the church was built in the fifth century A.D. to hold the body of Saint Stephen, which just had been brought to Rome from the Holy Land. The church's architecture is particularly unusual. As Rome's first circular church, it was modeled after Jerusalem's Church of the Holy Sepulchre. (Back then, with another entire ambulatory besides the two there today, it would have been much larger).

Santo Stefano in Rotondo also holds some odd treasures: a 6th-century mosaic of St. Primus and St. Felicianus; the tomb of Irish king Donough O'Brien, who died in Rome in 1064; a chair of Pope Gregory the Great from 580.

But if you go to the church, you could miss all of this for its frescoes.

Spiraling around the circular walls, the paintings depict 34 different martyrs — each being killed in gruesome ways. (Molten lead poured down the throat? Check. Breasts cut off? Check. Boiled alive? Check!) Commissioned by Pope Gregory XIII near the end of the 16th century, the paintings are naturalistic in their graphic displays, making anyone who looks closely enough wince. The peaceful expressions on most of the martyrs' faces go somewhat toward mitigating the"ouch ouch OUCH" effect… although in all honesty, I find that eerie calm a bit more disturbing than convincing.

Charles Dickens may have put it best, writing of his visit of the "hideous paintings" that cover the walls. He wrote,

…such a panorama of horror and butchery no man could imagine in his sleep, though he were to eat a whole pig raw, for supper. Grey-bearded men being boiled, fried, grilled, crimped, singed, eaten by wild beasts, worried by dogs, buried alive, torn asunder by horses, chopped up small with hatchets: women having their breasts torn with iron pinchers, their tongues cut out, their ears screwed off, their jaws broken, their bodies stretched upon the rack, or skinned upon the stake, or crackled up and melted in the fire: these are among the mildest subjects.

So, what do you think: Can you handle it?

If you can, remember that Santo Stefano Rotondo is closed Mondays and Sunday afternoons; otherwise, it's open from 9:30am-12:30. It's also open 3pm-6pm in the summers, and 2pm-5pm in the winter. The address is Via di Santo Stefano Rotondo 7, about a 10-minute walk from the Colosseum or from San Giovanni in Laterano, and right nearby the Basilica of Santi Quattro Coronati. For more information about the church, click here. For a map, click here.

You might also like:

Hidden Underground in Rome, an Ancient Sepulchre

Siena: A Gem of the Tuscan Countryside

A Medieval Church with More than Meets the Eye: St. George in Velabro

Archaeological sites, Art, Beyond Rome

A Half Hour from Rome, Hadrian’s Villa and Renaissance Gardens

August 31, 2010 No Comments

When asked about day trips from Rome, most people recommend Tivoli. Just a half-hour's drive from Rome, the town boasts the Renaissance-era Villa d'Este and the 1,850-year-old ruins of Hadrian's villa

I finally made it there this weekend, my hopes high. After all, I love the Renaissance and ruins. What could possibly go wrong?

Nothing went wrong. But given all the hype, I was a little underwhelmed.

First, Villa d'Este. A UNESCO World Heritage site, the villa, built by Cardinal Ippolito II d'Este in the mid-sixteenth century, is like a fairyland-gone-slightly-to-seed. The gardens are filled with grottoes, fountains, and odd touches of whimsy: a fountain of Artemis of Ephesus, the goddess of fertility, her breast-like decorative gourds spouting; an organ hid within an elaborate sculptured fountain; grottoes once filled with movable wooden cut-outs of creatures. Odd stuff, but with some of the sculptures missing and mechanization not working, a little less enrapturing than it would have been, say, for Ippolito.

The palace itself, too, feels a bit Alice-in-Wonderland. A wander through yields room after room of colorful Mannerist frescoes and examples of tromp l'oeil, that tricksy French attempt to make you think that the flat surface you're looking at is three-dimensional. But despite the sheer amount of paintings, if you're more of a Renaissance or Baroque lover — or you've simply been spoiled by, say, the quality of frescoes at the Vatican — the palace seems better-suited for a fairly quick walk-through than an in-depth artistic experience.

Then there's Hadrian's villa. Built as the emperor's retreat from Rome in the flat valley below Tivoli, it's a sprawling, 250-acre complex of ruins, olive tree groves, and, well, dust. Hadrian designed much of it himself, and its buildings and fountains drew on styles he saw across the empire, from Egypt to Greece.

But walking through the villa almost felt like walking across the empire itself. Even getting from the parking lot to the first section of the ruins takes about 15 minutes; getting a full overview of the villa would mean a half-day of wandering, or more.

The pay-off didn't seem quite worth it. Much of the area remains unexcavated, while a lot of the ruins themselves are surprisingly unassuming. Nor is the signage that helpful — a common complaint at archaeological sites, but all the more frustrating in a site this sprawling. Some of the descriptions of structures didn't even say what they were used for.

Even so, some parts of the ruins are striking. The Serapeum, designed after the Egyptian city of Canopus, features a long, green pool, ending in a domed grotto, lined with classical statues. And if you're a sucker for the personal, the (barely-there) ruins of the temple and tomb of Antinous, Hadrian's young lover whom he deified after his death, are poignant.

Still, it was hard to get a feel for what the entire villa would have felt and looked like. And as with so many ruins around Italy, all the "good stuff" was gone: The best statues, mosaics, and frescoes have all been moved elsewhere… particularly to Rome.

In short: Villa d'Este's appealing, particularly on a nice day, but not one of the top-five daytrips I'd recommend from Rome. (Unless for convenience only). And unless you're a big Hadrian fan, or are going to Tivoli anyway and want to fill out your day, I'm not sure that Hadrian's villa would be one of my top recommendations. For huge ruins that pack more of a punch in a smaller space, check out the Baths of Caracalla, in the heart of Rome; for a better-preserved sense of Hadrian's architecture, visit the Pantheon; to see the artistic treasures themselves, head to the Capitoline and Vatican museums.

For more information about Villa d'Este, click here. For more information about Hadrian's villa, click here. Entry to each site costs €10. To get there, you can take a train from Rome's Tiburtina station to Tivoli (about 30 minutes), then a shuttle bus to the town center and Villa d'Este. Another shuttle would be needed to take you to Hadrian's Villa.

Art, Events, Museums, Rome

Late Summer and Fall’s Best Events in Rome

August 27, 2010 No Comments

Don’t be sad that the summer is ending and, with it, Rome’s best summer’s events! The autumn brings a new slew, too. I’ll be updating this as we go along, so check back for more exciting events.*

September 5. Opening of the Jewish catacombs at Villa Torlonia. Remember to book… now!

Until September 8. Colori dell’Ara Pacis, a light show showing the Ara Pacis as it would have been. Wednesday nights only.

September 1-11. The annual International Festival of Urban Theatre puts on performances all over Rome, outdoors and indoors, including events for children.

September 3-October 29. The Vatican museums open at night.

September 17-20. The Colosseum will be set on fire (virtually) in an art show by Thyra Hilden and Pio Diaz. 8:30pm-2am Friday, Saturday and Sunday.

September 19-20. La Notte di Raffaello. The newly-restored Palazzo Barberini opens Sunday night and Monday, offering free guided tours to the public.

September 21-December 2. RomaEuropa Festival. The annual festival, now in its 25th year, boasts a series of music, dance and theater performances. Highlights this year include a production of “Orpheus” with hip-hop music and music by Monteverdi and Philip Glass, the British rock group “The Irrepressibles,” and Laurie Anderson’s “Delusion,” a multimedia series of mystery plays that include violin, puppetry, and visuals.

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