A Medieval Church with More than Meets the Eye: Rome’s St. George in Velabro

Church of St. George in Velabro, Forum Boarium, Rome St. George in Velabro is one of the most-overlooked churches in Rome…in one of the city's most-overlooked central areas, the Forum Boarium. That's a shame, because it's one of Rome's loveliest small-church gems. And, located between the Aventine and Palatine hills, it's hardly far from Rome's major sights.

The church isn't elaborate. If you're used to seeing Rome's Baroque masterpieces or Mannerist frescoes, it can seem somewhat plain. But that's all part of its charm.

And, more importantly, its age. St. George in Velabro dates back to the 5th century, and most of the brick facade is 7th century. The apse and much of the rest of the interior were built in the 9th century; the campanile, the 12th century (though rebuilt in 1837); the present portico along with the interior frescoes, the 13th century. As a result, St. George in Velabro is a thoroughly Romanesque church — and beautiful in its seeming simplicity. 

But don't let the style, or small size, fool you: The basilica is rich in history and treasures. For worshipers coming here for 1,300 years, the most important are the relics that give the church its name… the bones of St. George. (Yes, the same saint who slaid a dragon and is the patron of not just England, but Genoa, Venice, Barcelona, Portugal, Lithuania, Georgia, the Crusaders, and the Boy Scouts. Really. That means this is one saint who has a lot of bones in a lot of churches worldwide, something of an issue for skeptics). St. George's (supposed) cranium is kept in a red-lined case under the 12th-century altar, one of the most beautiful altars of its day. Interior of St. George in Velabro, Forum Boarium, Rome

That's not it for this church. Don't miss the frescoes in the ceiling of the apse, done in 1300 by Pietro Cavallini, Rome's best-known artist of the time. (If his style looks familiar, then a) you have a good eye and b) you've probably been to the Church of Santa Cecilia in Trastevere, where his fresco of the Last Judgment is considered to be his masterpiece).

Note, too, all of the ancient Roman remnants tucked into this church. The 16 columns inside, for example, date from the first to seventh centuries and were taken from ancient structures on the Palatine. (Medieval recycling!) Don't miss, either, the ancient arch seemingly built into the left side of the church's exterior. The arch dates to 264 A.D., and the church was actually built into it. Called the arco degli argentari, the arch was a gate on the road between the main forum and the forum boarium, where moneychangers (argentari) worked.

Finally, there's one last thing to this church that doesn't meet the eye: its toughness. I don't mean in terms of its mere age. On July 27, 1993, a Mafia-set car bomb exploded just outside the church's portico. (Two other simultaneous bombings took place at Rome's San Giovanni in Laterano and Milan's duomo; six people were killed). The 13th-century porch of St. George in Velabro was shattered. A hole blew through the wall. More than 1,000 fragments left from the bombing were pieced carefully together in the ensuing repairs. But take a closer look. The damaged capitals of the columns on the porch, along with other details, haven't been fixed, a testament to the crime.

San Giorgio in Velabro is located is located on Via del Velabro 19, a short walk from the Mouth of Truth and Circus Maximus. Click here for a map. For more information, click here.

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Santa Maria Sopra Minerva, Rome’s Gothic Gem

Santa Maria Sopra Minerva, Rome Most visitors wander right past Santa Maria Sopra Minerva, intent on getting to the Pantheon, just a stone's throw away. While you can't necessarily blame them — from the outside, Santa Maria looks rather plain — they're missing out.

Because Santa Maria Sopra Minerva is one of Rome's most beautiful churches. It's a fresh experience after the dozens of Baroque and Renaissance buildings that populate the rest of Rome. And it boasts a number of treasures, from the body of St. Catherine of Siena to a (supposed) Michelangelo statue.

Built from 1280 to 1370, the church is the only Gothic church in Rome, at least in style. That's not the only different thing about it. There's also the name, which literally means "St. Mary on top of Minerva"; it got that title because it was built on top of an ancient Roman temple to Minerva. And it's here — well, in the Dominican monastery next door — that Galileo was tried for saying the earth revolved around the sun.

Inside, the interior opens up in all its pointed-arches, blue-sky-with-gold-stars Gothic glory. (It's particularly vibrant thanks to 19th century restorations). Walk all the way to the apse, and you'll see, on the left, "Christ Bearing the Cross," a marble statue started by Michelangelo in 1521. It was finished by a student of his — who was later fired from the job for his inadequacy — and it's no clear exactly how much of a hand the master really had in it. Still, pretty neat. Look out, too, for the tomb of Fra Angelico, the beatified early Renaissance painter, on the left.St. Catherine of Siena, Santa Maria Sopra MinervaMeanwhile, the altar holds something really precious: the body of St. Catherine of Siena (above). The patroness of Europe, the saint is credited with having convinced the popes to return to Rome from Avignon in 1377, and her reams of political and religious writing — and their influence — have made her one of only three female Doctors of the Church. Her body is here, not far from the nearby house where she died at the age of 33. (Her head is in Siena). 

But that's not all for Santa Maria Sopra Minerva's treasures. Don't miss the Carafa Chapel to the right of the apse, which was frescoed by Filippino Lippi from 1488-1492. Look out for the dark-garbed man who seems out of place in frescoes, like the central one of the Assumption: He's St. Thomas of Aquinas.The Assumption, Filippino Lippi, Santa Maria Sopra Minerva

Remember: Next time you're going to the Pantheon, stop here. You won't be disappointed.

Santa Maria Sopra Minerva is open from 7am-7pm on weekdays, and from 8am-7pm on weekends. It does close, though, from 1pm-3:30pm on weekends and holidays. It's located on Piazza della Minerva, right near the Pantheon. For a map, click here

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