Bus and Metro-Related Questions in Rome, Part Two

Tabaccaio, where you can buy bus and metro ticketsI recently posted on whether tourists to Rome should use the city's public transport (short version: I think yes). For many, though, being told that Rome's buses and metros are fairly frequent, reliable, and cheap is all well and good, but how the heck do you actually use them?

And so: Some top questions — and answers — about Rome's public transportation.

Where do you buy a ticket? You can buy your ticket — which combines unlimited bus rides and one metro ride from 75 minutes after validation — at any tobacco shops or metro stations. Some bus stops, like the one at Largo Argentina, also have ticket machines. Some buses do on board, as well, but I wouldn't count on it. I've posted previously on how to find a tabaccaio and what else you can buy there.

Should I get a RomaPass? What are my other options? The RomaPass is easy and convenient: For €25, you get two free site entrances, discounted entrances elsewhere, and unlimited public transport, for three days. But as I've written before, it's not for everyone, even when you consider that it lets you "skip the line" at sites. 

If you're getting the RomaPass primarily to save on public transport, meanwhile, you're making the wrong choice. You have other (and cheaper) options, all sold by the city at the same locations as the normal €1 tickets. For €4, you can get an unlimited ticket for a day. €11 gets you an unlimited ticket for three days (that's less than half the cost of the RomaPass). And if you're staying for a week, you can spring for the €16 ticket, good for seven days.

Why didn't anyone check my bus ticket? Because they don't do it that way here. Instead of checking your ticket when you get on the bus, instead, Rome will (very occasionally) send guards onto buses at random stops to check all the passengers for their tickets. If you don't have a validated ticket, you get a fine. They used to do the metro this way, too, but that system changed a few years ago.

I had a ticket and when the bus was checked, I got a fine! Why? First, bad luck! Checks seem to happen very, very rarely — I take the bus once or twice a day, and I've been checked only twice in the past year.

The reason why your ticket wasn't sufficient, though, is probably because you didn't validate it. That means running it through the yellow machine on the bus as soon as you get on. (The metro does this for you when you feed your ticket through). The machine stamps your ticket with the time; if it's been 75 minutes since validation or if the ticket was never validated at all, it's, well, invalid. Otherwise, everyone would just carry the same ticket around and use it over and over and over.

If someone tries to give me a fine, should I pay it on the spot or wait? If you're unlucky enough to have screwed up the time, failed to validate, or plain old forgotten to buy a ticket — and get checked — you'll probably be given an option by the guard. You can pay €50 in cash on the spot. Or, you can fill out a form to get a fine sent to you at your home address, to the tune of €100.

The offer of cash-in-pocket seems a little sketchy. But it's not. It's even written on the sign with ticket prices that you should see when you get on the bus (in Italian). My best guess is that they have the two separate fees because they know that, if they send you a fine at your home address, it will most likely 1) not ever arrive or 2) not ever be paid by you, who's returned back to your foreign home country and will never be forced to deal with said fine…and, most likely, not even be forced to deal with it even if you returned to Italy, even to live. By offering you the cash option instead, at least this way, they know they have the money.

Why doesn't the metro run to Piazza Navona, the Pantheon, and other sites that seem like they'd be pretty useful? Rome's working on building metro Line C, which will go closer to some of those sites. In general, though, Rome's lines A and B skirt the centro storico. That's primarily because it's too tough archaeologically: Whether you're walking around Piazza Venezia or the Pantheon, you have an ancient city from 10 to 20 feet beneath your feet. It's pretty hard to build a metro line there, particularly with entrances, without disrupting all of those archaeological treasures. 

   Bus stop sign, Rome How can you tell at the bus stops what the bus route is? With difficulty! Romans know Rome pretty well — and the bus stops were designed for them, not for tourists. So instead of a handy bus route map at each stop, you get, instead, a somewhat-befuddling list of the names of bus stops. (Shown above).

Sometimes, this can work out. Piazza Venezia is a stop that's usually listed as "Venezia" or "Piazza Venezia"; "Aracoeli" takes you there, too. But Piazza Navona is rarely "Piazza Navona" (look for "Rinascimento," instead), and if you get on a bus to "San Pietro", you might wind up pretty darn far from St. Peter's Basilica — instead, the closest stop is the one called "Cavalleggeri." And if you want to get to the Cavour metro stop, don't get on a bus with a stop called "Cavour." That'll take you over near the Vatican.

Confused yet? 

The best way to use the buses, therefore, is to plan a route — and have a bus number in mind — in advance. Unless you know Rome fairly well, just wandering around looking for a bus with the stops you want can be an all but impossible way to get around.

So how do you plan a route or figure out what bus you want in advance? Ah, here it gets simple: Go to www.atac.roma.it. Put in your starting point (in the "da" box) and destination ("a"). Click "vai," and your route is planned out for you. Bus numbers and all.

Anything I missed?


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Should I Use Rome’s Public Transport? And Other Bus and Metro-Related Questions, Part One

Buses in romeFew aspects of a city are more necessary — or more potentially infuriating — than public transport. That's as true of Rome as it is anywhere else.

Still, many visitors come to Rome with some big misconceptions about its public transportation systems. The biggest? That Rome's public transport is incredibly confusing, and only for locals, and tourists should stick to taking taxis instead. Or that it's terrible and just so much worse than the systems in other countries.

First: It's true that cabs can be an attractive alternative to public transport. They get you exactly where you want to go, they're everywhere (usually), and they're cheaper than taxis in other cities, like London or New York.

But. All of those fares add up; spending 8 euros each time you have to get somewhere instead of the 1 euro a bus costs makes a big difference. Secondly, just when you want one, you won't be able to find one; many taxis seem to use taxi stands instead of cruising the streets looking for fares, and if it's rainy or just before dinner-time, it can be tough to flag one down. 

Finally, you have to be pretty careful when taking taxis. While it's getting better, some drivers won't hesitate to try to rip off a tourist, either by taking a circuitous route, not turning on the meter, or running the meter on the wrong rate. (Stay tuned for a future post on taking taxis in Rome).

That's where public transport comes in.

Many visitors shy away from Rome's buses and metros, seeming to think the system is terrible. It's not perfect, but it's certainly better than that of many other cities I've traveled in. Overall, Rome's buses and subways are clean, cheap (one euro per ride), frequent, and relatively reliable.

The metro system, especially, is remarkably good. I've never waited longer than 5 minutes for the next train. (I can't say the same for most other cities I've been in, from D.C. to New York). And a handy little display tells you how many minutes away the next metro is, like London's Tube.

The problem with the metro, though, is that it doesn't cut through most of the centro storico. (Line C, currently being dug, should fix some of that, but don't plan on using it unless your next trip to Italy is sometime after 2015). So the metro is great for getting from, say, the Spanish Steps to the Vatican, but not for getting to Piazza Navona, the Pantheon, or myriad other sites in the center.

That's where the buses come in. 

And while I complain about them all the time, I have to admit: The buses, too, are fairly reliable. They also go all over the place, even down those narrow, winding streets that you wouldn't expect even smart cars to venture down, never mind city buses.

But if you opt to take the bus, remember that some come far more often than others. And one bus that usually comes every 10 minutes might, when you try to get it, take 25 minutes to arrive. (Sod's Law tends to apply even more in Rome than other cities). Only some of the stops tell you when the next bus is arriving, and even that information can be wrong. 

Still. I like the bus because it goes more places, and you can look around at Rome's beautiful buildings while you're riding.

So: If you're coming to Rome, plan to walk. Plan to take a cab, maybe. But also do yourself a favor — and do as the locals do — and take Rome's bus or metro.

Coming soon  Also see: why didn't the driver check my ticket, how come the bus stops don't show routes, and other tips for using Rome's bus and metro systems.

 

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Underground at the Colosseum: How Do You Get There?

DSC_0104_004 I've gotten a lot of messages asking more about how to access the subterranean and third levels of the Colosseum, which officially opened to the public today.

Well, I've been there, done that (I was actually lucky enough to be on the very first public tour of the newly-unveiled areas at 9:40am this morning!), so I'm happy to share!

Update, April 5 2012: After being closed due to floods, Colosseum officials just announced that the underground will reopen this Saturday, April 7.

Update, October 2011: The Colosseum underground and 3rd tier will be open until Dec. 31.

Update, September 2011: After months of keeping mum, officials finally have confirmed that the Colosseum underground will be open through October.

Update, July 2011: It's been confirmed that the Colosseum's underground is now open through September… but possibly no later! Click the link for info on the three major (and only) ways to get to the Colosseum underground. (The post below gives you info on how to book by taking a tour with the Colosseum directly — but that's not necessarily, or always, the best way).

Update, March 2011: The Colosseum's underground has reopened! Some things, including the exact price and the ability to pay in cash on the day of, have changed. Click the link for more info.

Why is this special? It's the first time since antiquity that the hypogeum and third levels have been officially, safely open to the public. (Actually, even better than that, since even in antiquity the hypogeum would not have been open to the public). And it's the first time the arena has been open to the public during the daytime.

Do I have to book in advance to see the hypogeum and third levels? Yes, you must book in advance. 

But why? Because the areas are archaeologically sensitive, they don't want the Colosseum's 19,000 or so daily visitors clambering around on their own. Instead, the Colosseum's official guides are taking groups to those areas, with a maximum of 25 people per group.

How do I book? The best (and, I think, so far only) way to book is to call Rome's cultural association, Pierreci, directly. Their phone number is +39 06 39967700. Websites might start cropping up soon, if they haven't already, offering to sell you these tickets online; they'll charge you a surcharge for this, so just call Pierreci instead. 

Do they speak English? Yes, they should. If you can't follow the rapid-fire Italian for your options through the automated system, press 0 the first time you're asked a question, 3 the second time. (Assuming, of course, you're an individual booking for a group tour). That should bring you to an operator. Once you speak to someone, if you just ask, "Parla inglese?", you should be able to communicate with them in English fine. They are, after all, offering English guided tours!

The first group on the Colosseum's third level

But I don't want to make an international call. That's expensive. Download Skype (www.skype.com). It's a free voice-over-internet program and takes thirty seconds to download. It's intuitive, it's easy, and you can call phones internationally for much less than what most phone cards would cost you. Plus, calling Skype to Skype is free.

How much is it? It costs €12 (the normal entrance price, which includes your entrance to the Forum and Palatine), plus €8 for the guided tour, plus a €1.50 reservation fee. You do not pay in advance.

What times are the tours? I don't know, and I'm not sure there's a regular schedule. But it seems like lots of tours in both Italian and English (perhaps other languages, too) are being given. The operator will give you a list of times that you can choose.

Should I book now, or wait till I get to Rome and have more of an idea of my schedule? Book now. Seriously, everyone and their mother will want to do this. You need to get a slot as soon as possible.

How long are they doing this for? So far, till November 30. But I can't imagine they won't continue it after that.

 So I have my reservation number, and I'm in Rome. Now what? When you go to the Colosseum, you'll see a long line on your right. Don't stand in it–that's for people without reservations. You also might see a long line on your left. Don't stand in that one, either, which is for big group tours. Instead, go down the middle. When a guard asks you for your ticket, say you have a reservation. He'll let you through to the ticket windows at the end. Get in the line for reservations ("prenotazioni"), which should be very, very short. At the window, present your reservation code. You're then given your ticket, plus a little sticker saying you're one of the chosen few for the tour. The meeting point is currently in front of the elevator, but that may change (like everything does!), so make sure to ask.

What if I have a RomaPass? If you tell the person at the reservation window that you already have a ticket to the Colosseum, you can pay just the reservation and tour fee and use your pass.

Can I use my ticket for something else? Yes. It's a normal, combined Colosseum ticket, so you can use it for entrance to the Forum and Palatine for the rest of the day and the following day (the deadline will be printed on your ticket).

What does the tour cover? The tour includes the hypogeum (subterranean area), arena, Porta Libitina, and third level.

How long is the tour? This morning, it took us an hour and a half to get through it all. I don't know if that's how long they'll all be.

Can I sightsee more around the Colosseum after the tour? The tour ends inside, so yes.

Is it worth it? Yes. It's incredible. And this is absolutely how the Colosseum is meant to be seen. Once you see the Colosseum from its almost-top, and peer up at the seating from where gladiators and animals would have waited for their turn, and walk through the gate where gladiators' dead bodies were taken out, you'll feel badly for those who "only" got to see the Colosseum's first and second levels.

Whew! I hope that covers everything, but let me know if I left anything out!

Worker unlocking the door for the third level of the Colosseum A guard allowing us up to the third level of the Colosseum.

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La Campana: A Classic, and Rome’s Oldest Restaurant

Oxtail at La Campana, near Piazza Navona, RomeLa Campana, a restaurant tucked away a few steps from Piazza Navona, claims to be Rome's oldest dining establishment. It was recorded as being on the same street all the way back in 1518 — a tough claim to match.

But since these kinds of claims are everywhere, particularly in a city as overrun with old establishments as Rome, that's not really why you should go.

You should go if you want to experience good, classic Roman food, or cucina romana, at not-bad prices, in the heart of the center. In an area where culinary mediocrity is so thick on the ground, that's pretty tough to find. Oddly enough for the neighborhood, it's not even fair to call La Campana touristy: While there are always tourists there, a number of businessmen are always taking up the tables as well, particularly at lunch.

That said, not all of my experiences at La Campana have been perfect. One more-mediocre experience included my rigatoni all'amatriciana (€8), a dish that was undone by the long strips of not-very-crisp-or-smoky guanciale, or pork jowl, each of which were at least two-thirds white fat.

But I've also had a juicy saltimbocca (veal wrapped with prosciutto, €12, shown below) and an excellent coda alla vaccinara (€12), at top, in a rich, delicious sauce and with the meat falling off the bone. That coda alla vaccinara, alone, made me vow to pay more visits to Rome's (maybe) oldest restaurant. Other classic dishes on the menu to try include the fettucini al ragu (€10), trippa (€12)and artichoke (€5).

Saltimbocca at La Campana, RomeSomething else I'll say for La Campana: The service is excellent. That's not something you tend to see in many moderately-priced Roman restaurants, particularly not those that have been written up as often as this one. But the black-vested waiters are unfailingly polite, and the service (usually) pretty fast.

La Campana. Vicolo della Campana 18. Closed Mondays. For more information, click here. For a map, click here.

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China’s Terracotta Warriors Invade Rome

Terracotta warriors of Xian in the Curia, Roman forum, RomeIt's not every day that you see China's ancient, famous terracotta warriors from Xi'an in the also-ancient, also-famous Roman forum.

Now you can.

From now until January 9, 2011, Rome is hosting the exhibit "The Two Empires: the Eagle and the Dragon." Held in the Curia, or the ancient senate house in Rome's forum, the exhibit is the first to explicitly compare China's empire with Rome's.

But it's just a taste of what else Italy (and China) have planned.

The parallels between the countries' histories are certainly there. Both were extraordinarily sophisticated, militaristic empires. Both unified dozens of warring territories under the same political and economic systems. And both influenced all of history; just as modern-day Europe and the United States owe a great debt to the ancient Romans, so, too, do the modern-day Chinese owe the Qin and Han dynasties. (Those dynasties ruled China from the 3rd century B.C. to the 4th century A.D., a timeline that, too, parallels the height of the Roman empire).

And the artifacts that Rome's gotten ahold of for the exhibit are pretty fantastic. Most striking are, of course, the terracotta warriors, here on one of their rare trips away from Xi'an, China. More than 8,000 of them, each one different and detailed, were sculpted around 210 B.C. for Emperor Qinshihuang's tomb. Eight (plus a horse) are now in the Curia (pictured above). Seeing them in the same space as first-century Roman marble statues is striking — no less because of how much the two cultures shared in terms of their sophistication and technical skill alone.

Ancient Chinese sculpture in the Roman Curia, RomeWhile neat, the exhibit is far from thorough. It's just a teaser. And that's the whole idea. It's a preview of a bigger exhibit coming to Palazzo Venezia in November, which will boast 450 different Italian and Chinese pieces.

It also launches a long-term collaboration and cultural exchange with China, kicked off by Chinese Prime Minister Wen Jiabao's visit to Rome on October 7. That collaboration includes the participation of Italy's ministry of culture in China's new National Museum in Beijing, with a wing focused on Italian culture — and a reciprocal space for a state museum of Chinese culture in Palazzo Venezia.

So stay tuned. Update, Nov. 17: See my new blog post on the "Eagle and the Dragon" exhibit for information on the Palazzo Venezia show.

The exhibit at the Curia is open from 8:30am-6:30pm until October 24, from 8:30am-4:30pm afterward. Entrance is included in your forum/Colosseum/Palatine ticket. For more information (in Italian), click here

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For a Quirky, Quick Art Visit, the Galleria Spada

Borromini's perspective in Galleria Spada, Rome

Unless you're a Mannerist art fan, don't visit the Galleria Spada until you've seen the Vatican museums, Galleria Borghese, Capitoline museums, Villa Farnesina, Palazzo Massimo, and Palazzo Barberini.

But. Once you've done those — or if you're in the mood for just a half-hour art stop, instead of the longer slog the other galleries entail — check out the collection of Palazzo Spada.

Located just around the corner from Campo dei Fiori and Piazza Farnese, in one of Rome's lovely and quieter neighborhoods, the palazzo got its start as a cardinal's palace in the 16th century. Seventy years later, it was built by another cardinal (Cardinal Spada, of course!) who commissioned none other than Borromini to modify it.

Borromini's main contribution? The courtyard's colonnade, a trick of perspective that makes the gallery look 37 meters long, when really it's just 8 (shown above).

The "ah-ha!" you get when you catch just how small the gallery really is (aided by one of the workers, who will come out and stand at the back of it to show you that it's all just a trick) is one that must have been shared by guests to the palazzo for nearly four centuries. But that's not the only way in which you experience the gallery much as 17th-century visitors would have.

In all four (yes, only four) of its rooms, the museum seems frozen in time. The collection — which boasts paintings by Guido Reni, Orazio and Artemisia Gentileschi (Artemisia's "Santa Cecilia" is shown below), and Domenichino, plus one piece thought to be a Titian — is still displayed much as it would have been. The walls are hung with
painting upon painting; the floors are bordered with ancient busts and statues; the ceilings are frescoed. It all feels a bit musty, and you're likely to be the only person there. 

Sound good? Then go. After all, it's one of the few things you can do in Rome that almost no other tourist has.

For more information (in Italian), click here. For a map, click here. The Galleria Spada costs €5, with reduced options for E.U. members.

 Cecilia by Artemisia Gentileschi at Galleria Spada, Rome.

 

 

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For Cucina Romana Done Right: Il Pommidoro

Pasta alla gricia at Pommidoro, Ro,eWhen I want cucina romana, Rome boasts one restaurant I can always count on for high-quality ingredients and top-notch dishes: Il Pommidoro.

Located in the student-heavy, graffiti-spotted San Lorenzo neighborhood (half-jokingly referred to by Roman residents as the “communist quarter”), Il Pommidoro isn’t on the track for most tourists. The clientele, almost always exclusively Italian, reflects that. But when it only costs €6 to take a cab before 10pm to Il Pommidoro from, say, the Colosseum, it’s a worthwhile venture. Especially when it’s for classic Roman dishes the way Il Pommidoro cooks them up.

Italian orange mushrooms, or amanita caesarea, at Il Pommidoro, Rome

One of Rome’s classic family-run restaurants, Pommidoro dates back to 1926, when the current owner’s grandmother turned her wine shop into an eatery. Aldo, the grandson, started working here at seven. 

Although the menu does have plates inspired from beyond the Lazio region, most of the food reflects those older Rome traditions. All of your classic offal is on the menu, from animelle alla cacciatora, or stewed sweetbreads (€12) to spiedone di pajata, the intestines of unweaned calves (€10). Try the porchetta as an antipasto; the sliced pork, shown below, is melt-in-your-mouth. Roast partridge, rabbit and duck also are on the menu, and much of it was shot by the Bravi family themselves on their hunts. (This was, perhaps, never made more real to me than when I took a bite of their pheasant last night, only to chomp down on something hard. It was shot.) 

Porchetta at Il Pommidoro, Rome

Pastas include all the classics, too, from carbonara (€8) to amatriciana (€8). And while a recent amatriciana was the only dish I’ve ever had there that I haven’t been completely impressed with — it was a little too watery — Il Pommidoro has made it up to me in the past with their other pastas. Most notable: The best pasta alla gricia I’ve ever tasted, complete with perfectly al dente pasta and smoky, just-crunchy-enough bits of guanciale, shown at top.

Always ask about their specials, too; you might come across something like the orange mushrooms, or amanita caesarea, shown above.

Il Pommidoro tends to be popular with locals, so make sure you book in advance. Unlike most other Rome restaurants, it has long lunch hours — until 3pm — so it’s a good midday stop, too.
Il Pommidoro's wood oven

The wood oven at Il Pommidoro, perfect for roasting those suckling pigs and rabbits.

 

Il Pommidoro. Piazza dei Sanniti 44, in San Lorenzo. Open for lunch and dinner daily except for Sunday. 064452692. For a map, click here.  

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The Newly Renovated Palazzo Barberini: The Verdict

Da Cortona's fresco of Divine Providence, Palazzo Barberini
Palazzo Barberini, home both to the powerful clan that produced Pope Urban VIII and to paintings by greats like Raphael, Caravaggio, Titian and El Greco, hasn’t been a proper museum in years. Plans to create a central space for its collection were stalled for decades; until 2006, the palazzo even served as an administrative office for the Italian military. Paintings were split between various galleries across Rome, and even more of them remained in storerooms, hidden to the public.

That all changed just a couple of weeks ago.

I paid a visit to the newly-restored Palazzo Barberini today, and all I can say is: what a difference a few more rooms make.

(Note: This post was last updated with current information in April 2017).

The piece-de-resistance of the whole collection long has been Pietro da Cortona’s Triumph of Divine Providence (shown above), the fresco on the ceiling of the Grand Salon, mind-boggling for its size, its spot-on execution of trompe l’oeil, and its sheer over-the-top-ness. Under restoration for months, it’s now viewable in all its Baroque glory. A plus: Two comfy, long sofas let you stretch out on your back to take it in without hurting your neck.

But there are other jewels in the collection that are only now being shown off, too. Medieval pieces that had been undisplayed, including 14th-century scenes of crucifixions and sad-eyed Madonnas, now take up several rooms. A hall of landscape paintings includes several sweeping works by Paul Brill. And one room just opened to the public features a rushing fountain, a little piece of indoor theatricality in a time that loved everything unexpected and dramatic in art.

As well as the art itself, the museum experience has improved. A description in English and Italian greets you in each room, giving an overview of how the pieces link together (usually, by period and geography), and the flow of your visit is set up so that you progress from the 14th century all the way up until the 17th. And because there’s more room, the pieces aren’t as crammed in together.

With its new rooms, the Palazzo Barberini should take you about two hours to get through.

The Palazzo Barberini is located just steps from the Barberini metro at Via delle Quattro Fontane, 13. It’s open every day but Monday from 8:30am-7pm, making it an ideal early-evening stop. The entrance price is currently €10. For more on Palazzo Barberini, click here.

Click here for more information about Palazzo Barberini, including on the pieces that have always been the main draws of the collection, like Raphael’s La Fornarina and Caravaggio’s Judith Beheading Holofernes.

Also: a good reason to head “outside the walls,” books about Italy to put on your must-read list and an answer to the question: is Rome really safe?

If you liked this post, you’ll love The Revealed Rome Handbook: Tips and Tricks for Exploring the Eternal City, available for purchase on Amazon or through my site here! I’m also free for one-on-one consulting sessions to help plan your Italy trip.

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Cupcake Craving? Indulge Your Sweet(y) Tooth

Red velvet cupcake from Sweety Rome, Monti, Rome

Every once in a while, a girl (or guy) needs a cupcake. These aren’t easy to come by in the Eternal City, a town more known for devil-fighting than devil’s food. Luckily, there’s Sweety Rome.

A bakery and café located in the heart of Monti, Sweety Rome boasts pastries, muffins — and cupcakes. When I saw a red velvet cupcake (shown above), next to a chocolate cupcake, next to a vanilla-with-lemon icing cupcake, at a bakery in Rome, I almost couldn’t contain myself. (I thank Baked & Wired, the frustratingly-tempting and way-better-than-Georgetown-Cupcake place next to my old office building in Washington, D.C., for my not-quite-forgotten cupcake addition).

But displaying a cupcake is one thing. Actually baking one that’s up to a Baked & Wired-lover’s snuff is something else.

Two trips, three muffins and three cupcakes later (gross, I know), this self-appointed expert’s verdict: pretty darn good. No, the cupcakes aren’t the size-of-a-plate monstrosities with two inches of icing that you see back home, and they’re slightly on the dry side. Nor are the muffins as sweet as what I’m used to spoiled by in the U.S. But when you’re craving something sweet and American, either one will do the trick.

Sweety Rome also does pies and cakes that you’re not used to seeing in Italy, like pecan pie, cheesecake, and key lime pie; if you want one for a special occasion, you have to order in advance. Some of the cute designs they can do are in the window — even a cake shaped like a Chanel bag. 

And, excitingly, I hear that they do brunch. When I swung by at 9:30am on a recent Saturday, this brunch did not appear to be on quite yet. In fact, they weren’t even open. But I’m game to go back, so stay tuned for an American brunch update.

Sweety Rome, Via Milano 48, in the Monti neighborhood. For more information, click here. For a map, click here.

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