A little more unusually, it also includes museums not often part of these free events, like the Scuderie del Quirinale (currently with a Lorenzo Lotto exhibit); the MAXXI, with its great Michelangelo Pistoletto exhibit; and the Palazzo delle Esposizioni, with its show on European 19th- and 20th-century art including pieces by Corot, Monet, Renoir, Ernst, Klee, and Picasso.
All will be open, and free, from 8pm-2am, with last entrance at 1am.
Another bonus? The Palazzo dell Esposizione hosts two piano concerts by Michelangelo Carbonara, one at 9pm and one at 10:30pm, celebrating the same time period that's also shown with the exhibit.
You heard me: Michelangelo has an art exhibit on at the MAXXI. But no, not that Michelangelo. Michelangelo Pistoletto.
Haven't heard of him? In brief, he was one of the major forces behind Italy's Arte Povera movement.* Pistoletto pushed the envelope of conceptual art, making a Venus out of rags and paintings out of mirrors. And then he kept going. Today, he's considered one of the most important Italian artists still living.
After seeing the exhibit (on at the MAXXI, Rome's famed contemporary art museum, until August 15), I have something else to add: Pistoletto is just damn fun. You don't have to "get" 20th-century art to understand what he's going for. Or to like him. That's because his pieces are whimsical. Interactive. Thought-provoking, even for someone who's never thought about contemporary art before.
For Pistoletto aficionados, the show does an excellent job of walking you through his career and his approach to art. With more than 100 pieces, it's also thorough. And it has some of his most famous works, like Globe, the huge ball of newsprint that Pistoletto first rolled through the streets in the 1960s, and still, occasionally, goes for a roll. (Image, below, courtesy of Pistoletto's own website. Unfortunately, no photographs are allowed in the MAXXI).
Not already a Pistoletto (or contemporary art) aficionado? You'll still be caught up by the "Mirror Paintings" section, which boasts dozens of mirrors painted with life-sized images. Yes, this schtick was one of the things that put Pistoletto on the map. But it's also plain old playful. You can see yourself as part of a Vietnam demonstration, as looking over a balcony with three women, behind prison bars, or, most eerily, with your head in a noose.
Personally, though, I loved his "Minus Objects." Each piece looked relatively simple… but, like the best art of any generation, asked you to look, or think, twice. That large cube standing over there, tied together with string? It's actually six large mirrors tied together. Facing inward. Hence the title: A Cubic Meter of Infinity. Or that odd-looking structure, almost like a railing, but not quite? It is, of course, Structure for Talking Standing Up. The title made me laugh out loud. Because that's exactly what it looks perfect for… and nothing else.
Don't believe me? Here it is. (In the actual exhibit, the man is not included. Nor, unfortunately, are you able to try it out yourself).
It's true, as the New York Times recently pointed out when reviewing the show's first stop in Philadelphia, that, "It does not inspire confidence that Carlos Basualdo, the museum’s curator of 20th-century art and the show’s organizer, mostly ignores the last 35 years of the artist’s work."
But I have some beef with what the Times calls a nagging question in the exhibit: "Does Mr. Pistoletto’s art, its influence aside, hold up to the test of immediate experience." If a piece of art can make you wonder, inspire you to pull funny faces, can even make you laugh out loud — well, I think that's the whole point.
After all, too much of art, especially contemporary art, seems anything but accessible. Not this.
And for that experience alone, please: Before August 15, head to the MAXXI.
The MAXXI is open Tuesday, Wednesday, Friday, and Sunday from 11am-7pm, and on Thursday and Saturday from 11am-10pm. It costs 11 euros; if you're between the ages of 15 and 26 and you go as a couple (as in two people, no romance necessary), you get 2 tickets for the price of one. The MAXXI is located on Via Guido Reni 4a. For a map, click here.
*And if you haven't heard of that: Arte Povera is, essentially, when 1960s artists started playing with the idea of what materials were needed for art and, therefore, what art really was. It produced whimsical pieces like Giovanni Anselmo's 1968 Structure that Eats, which had vegetables between two stone blocks — the idea being that when the veggies rottied, a block would fall.
On Sunday, September 26, On Saturday and Sunday, September 25-26, every state-run museum and site in Rome, and across Italy, will be free — including such big-time sites as the Colosseum, Borghese gallery, and Capitoline museums (shown above).
But free entrance is far from the only perk. Many sites are offering (mostly free) events. And those events sure do range. They include:
"Twenty-Four Hours of Rome," a mountain-bike endurance contest in which masochists bikers pedal the same 7.5km course for 24 hours straight, starting at noon on Saturday
I beg you, as much as I'd love to see a Nordic-Walking mountain-biker who's spouting modern art knowledge and staggering from too much kosher wine, please don't do all four of these in one weekend.
The events and free entrances are all part of European Heritage Days, which the Council of Europe launched in 1991 to promote European art and culture. And while it's exciting, do keep in mind that at the highly-trafficked sites (like the Colosseum), lines are likely to be looong. Let me repeat that: looong.
So unless it's worth it to you to stand in a 3-hour line to save €12, I'd recommend hitting up the lesser-known galleries, instead. Think: the Palazzo Barberini (which just unveiled its refurbished archaeological wing and newly-restored Pietro da Cortona fresco), the Palazzo Massimo with its incredible archaeological collection, the MAXXI with its modern art and cutting-edge architecture…
The list goes on, so take advantage! It's not every day that you can do so much, while spending so little. At least in Rome.