China’s Terracotta Warriors Invade Rome

Terracotta warriors of Xian in the Curia, Roman forum, RomeIt's not every day that you see China's ancient, famous terracotta warriors from Xi'an in the also-ancient, also-famous Roman forum.

Now you can.

From now until January 9, 2011, Rome is hosting the exhibit "The Two Empires: the Eagle and the Dragon." Held in the Curia, or the ancient senate house in Rome's forum, the exhibit is the first to explicitly compare China's empire with Rome's.

But it's just a taste of what else Italy (and China) have planned.

The parallels between the countries' histories are certainly there. Both were extraordinarily sophisticated, militaristic empires. Both unified dozens of warring territories under the same political and economic systems. And both influenced all of history; just as modern-day Europe and the United States owe a great debt to the ancient Romans, so, too, do the modern-day Chinese owe the Qin and Han dynasties. (Those dynasties ruled China from the 3rd century B.C. to the 4th century A.D., a timeline that, too, parallels the height of the Roman empire).

And the artifacts that Rome's gotten ahold of for the exhibit are pretty fantastic. Most striking are, of course, the terracotta warriors, here on one of their rare trips away from Xi'an, China. More than 8,000 of them, each one different and detailed, were sculpted around 210 B.C. for Emperor Qinshihuang's tomb. Eight (plus a horse) are now in the Curia (pictured above). Seeing them in the same space as first-century Roman marble statues is striking — no less because of how much the two cultures shared in terms of their sophistication and technical skill alone.

Ancient Chinese sculpture in the Roman Curia, RomeWhile neat, the exhibit is far from thorough. It's just a teaser. And that's the whole idea. It's a preview of a bigger exhibit coming to Palazzo Venezia in November, which will boast 450 different Italian and Chinese pieces.

It also launches a long-term collaboration and cultural exchange with China, kicked off by Chinese Prime Minister Wen Jiabao's visit to Rome on October 7. That collaboration includes the participation of Italy's ministry of culture in China's new National Museum in Beijing, with a wing focused on Italian culture — and a reciprocal space for a state museum of Chinese culture in Palazzo Venezia.

So stay tuned. Update, Nov. 17: See my new blog post on the "Eagle and the Dragon" exhibit for information on the Palazzo Venezia show.

The exhibit at the Curia is open from 8:30am-6:30pm until October 24, from 8:30am-4:30pm afterward. Entrance is included in your forum/Colosseum/Palatine ticket. For more information (in Italian), click here

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The Ara Pacis in Summer: As It Was Meant to Be Seen

Ara Pacis, colored with lasers
On Wednesdays throughout the summer, you can see the Ara Pacis — the elaborately-carved, beautifully-preserved ancient altar dating from 9 B.C. — as it was meant to be seen: with color.

It's hard enough to imagine ancient Rome as it would have been: marble temples, colossal monuments, extraordinary baths. But what most visitors to Rome don't realize is that you have to take something else into account, too. You have to imagine everything painted. That's right: everything. The monuments, the sculptures, the buildings. It wasn't all shining white marble; it was also reds and yellows and blues. And greens and purples and pinks. And….

Ara not coloredThe difference that color makes is dramatic. There may be no better example of that than the Ara Pacis. Created in honor of Emperor Augustus in 9 B.C., the monumental altar symbolizes the peace and prosperity that Ara coloredthe first emperor brought about. When you go to see it at the Museum of the Ara Pacis, it appears elegant and elaborate — but when it was painted, it would have been much more than that. It would have been striking in its vibrance.

Don't believe me? Here's the panel of Aeneas sacrificing to the Penates (the household gods), with color and without, left. The color makes a big difference, no?

From now until September 8, from 9pm to midnight (last entrance 11pm), on Wednesdays only, you can see the Ara Pacis colored as it would have been (or so the best guesses have it) with lasers. At € 8 for the entrance, it's pricier than the usual € 6.50 entrance. But unless you want to get a super-close look, you don't even have to pay: Standing outside the glass-walled Museum of the Ara Pacis might be good enough.

Either way, make sure you see it. It's a special event, and it ends soon.

For more information, click here. For a map, click here.

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