Back in May, the ministry of cultural heritage said it would open the subterranean level of the Colosseum — the section below the arena where gladiators and animals would have waited for their turn to fight — by the end of the summer.
That didn't exactly happen on time, but it is happening. The (still-provisional) opening date, which was just announced, will be Monday, October 11. Update, Oct. 14: On October 14, the ministry announced that the subterranean and third-level area is now open to the public. (Yay!) You can access the subterranean area via guided tours, which start on Oct. 19. To book, click here.
The hypogeum, as the underground area is called, has never been open to the public before. A series of two-level passageways and rooms beneath the area, it would have been dark, dank, and filled with terrified animals and (perhaps also terrified) gladiators. If walking through where bloodthirsty spectators would have sat doesn't give you chills, exploring these underground chambers certainly should.
The restoration of the hypogeum is part of a much bigger plan for the Colosseum, which the ministry plans to restore by 2013. That is, if they can find private sponsors for the $33 million renovation. Hey, you get advertising space on one of the world's most iconic monuments in return. Anyone? Anyone?
When Il Tajut, my local cultural association, restaurant and wine bar, moved to the Parco degli Acquedotti this summer, I was despondent. When I wanted Italian food — but couldn't face another night of pasta amatriciana, gruff Roman service, and loud, packed restaurants — where would I go?
Thankfully, Il Tajut has returned from exile. And for a restaurant experience unlike Rome's usual offerings, it's as reliable as ever.
From the start, your experience at Tajut will be a little, well, different. Its door will be closed. You won't be sure if it's really a restaurant, or open, or not. Sometimes, you may have to ring the buzzer. And if it's your first time there, you'll also be asked to fill out a membership card with your name and details. That's because Tajut is a cultural association. (More on what that means in an upcoming post). Everyone who dines here has to be a "member."
The good news is, it's a good club to be in…even if, looking around you, you might notice few other members. On a recent Saturday when the restaurant had just reopened, only half of the tables were full. Usually, I take this as a bad omen. In Tajut's case, though, I think the place hasn't really been discovered yet. (Except for a review in Corriere della Sera last year that ripped them apart, particularly for not having many of their dishes on the menu. Oops).
So why recommend them? Because the food is reliably good, if not perfect. (And yes, the limited staff — the owner's always the chef, a blond woman's always the server — is often out of dishes). Most importantly, though, Il Tajut is different.
The menu features cuisine from Friuli, a small, northern Italian region that borders Slovenia and Austria. There's no amatriciana here; instead, specialties include frico, a flat cake made with potatoes, onions, and cheese (€9), shown at left; spatzli, a kind of pasta well-known to Swiss and Germans (€9); canederli, dumplings that here are made out of bread and mixed with butter and ricotta (€10); and goulash,that hearty stew usually credited with Hungarian origins (€10). The last time I was there, I had a delicious tagliolini with venison ragu and ricotta affumicata (€10). And the wine list is extensive, boasting a number of northern Italian wines that are hard to find elsewhere in Rome.
The place isn't perfect. A dish of sausage and potatoes (shown at top) was swimming in even more oil than you'd expect, most of the food is fairly heavy, and the prices are a little high for what's essentially peasant fare. The service (as in, the one waitress) isn't always particularly fast.
But for super-friendly, personalized service, a quiet, whimsical atmosphere, and a taste of something different, Il Tajut is just right.
Il Tajut. Via San Giovanni in Laterano 244, in Celio, near San Giovanni in Laterano and a 10-minute walk from the Colosseum. Dinner only; open from 7pm daily. For a map and more information, click here.
Just in case all of the fun events and free entrances on European Heritage Day (September 25-26) weren't enough for you, mark the last Tuesday of the month in your calendar, too.
That's because, on the last Tuesday each month through December 28, a series of state-run museums and sites will have late openings and free entrances. It's called "Martedi in Arte" and takes place across Italy. In Rome and Lazio, the following sites will be open from 7pm-11pm and will be free:
Palazzo Barberini, with its reopened archaeological exhibit, Via Quattro Fontane 13
After posting about the opportunity to take night tours of the Colosseum and the Baths of Caracalla, I took a night tour of the baths myself — and wrote about it for the Guardian newspaper. You can read my piece, which posted today, here.
And let me tell you, grabbing night photos of those ruins while following a tour guide around was not the easiest….I’m glad my forgiving editor decided that at least one of the snaps was up to snuff. Here are a couple more..
On Sunday, September 26, On Saturday and Sunday, September 25-26, every state-run museum and site in Rome, and across Italy, will be free — including such big-time sites as the Colosseum, Borghese gallery, and Capitoline museums (shown above).
But free entrance is far from the only perk. Many sites are offering (mostly free) events. And those events sure do range. They include:
“Twenty-Four Hours of Rome,” a mountain-bike endurance contest in which masochists bikers pedal the same 7.5km course for 24 hours straight, starting at noon on Saturday
I beg you, as much as I’d love to see a Nordic-Walking mountain-biker who’s spouting modern art knowledge and staggering from too much kosher wine, please don’t do all four of these in one weekend.
The events and free entrances are all part of European Heritage Days, which the Council of Europe launched in 1991 to promote European art and culture. And while it’s exciting, do keep in mind that at the highly-trafficked sites (like the Colosseum), lines are likely to be looong. Let me repeat that: looong.
So unless it’s worth it to you to stand in a 3-hour line to save €12, I’d recommend hitting up the lesser-known galleries, instead. Think: the Palazzo Barberini (which just unveiled its refurbished archaeological wing and newly-restored Pietro da Cortona fresco), the Palazzo Massimo with its incredible archaeological collection, the MAXXI with its modern art and cutting-edge architecture…
The list goes on, so take advantage! It’s not every day that you can do so much, while spending so little. At least in Rome.
If you see the Colosseum burning this weekend, don't call the fire brigade: The flames are virtual.
Artists Thyra Hilden and Pio Diaz, from Denmark and Argentina, respectively, are putting on the show by using a pre-recorded video of real fire and projecting it onto the structure. Their digital manipulations of the film mean that they even can recreate the effect of wind fanning the flames — and the result is so realistic that, in the past, people have called emergency services.
The Colosseum show is part of their project "City on Fire: Burning the Roots of Western Culture." The two artists have been "burning" monuments since 2005, including the Trevi Fountain, Copenhagen Cathedral, and Seoul Museum.
The show will take place on the nights of September 17, 18, and 19, from 8:30pm to 2am. Given the recent announcement that Rome is looking for sponsors to restore the Colosseum and keep it from, well, crumbling to the ground, seems like kind of an odd choice.
Or, perhaps, an appropriate reminder that these monuments won't simply stand on their own forever.
If you get nightmares — or nausea — easily, don't visit the Basilica of Santo Stefano Rotondo.
Think you can handle it? Then welcome to some of the most graphic frescoes of 16th-century Rome.
First, though, there's more to this church than its frescoes. Built on top of the remains of a 2nd-century Mithraic temple (currently being excavated), the church was built in the fifth century A.D. to hold the body of Saint Stephen, which just had been brought to Rome from the Holy Land. The church's architecture is particularly unusual. As Rome's first circular church, it was modeled after Jerusalem's Church of the Holy Sepulchre. (Back then, with another entire ambulatory besides the two there today, it would have been much larger).
Santo Stefano in Rotondo also holds some odd treasures: a 6th-century mosaic of St. Primus and St. Felicianus; the tomb of Irish king Donough O'Brien, who died in Rome in 1064; a chair of Pope Gregory the Great from 580.
But if you go to the church, you could miss all of this for its frescoes.
Spiraling around the circular walls, the paintings depict 34 different martyrs — each being killed in gruesome ways. (Molten lead poured down the throat? Check. Breasts cut off? Check. Boiled alive? Check!) Commissioned by Pope Gregory XIII near the end of the 16th century, the paintings are naturalistic in their graphic displays, making anyone who looks closely enough wince. The peaceful expressions on most of the martyrs' faces go somewhat toward mitigating the"ouch ouch OUCH" effect… although in all honesty, I find that eerie calm a bit more disturbing than convincing.
Charles Dickens may have put it best, writing of his visit of the "hideous paintings" that cover the walls. He wrote,
…such a panorama of horror and butchery no man could imagine in his sleep, though he were to eat a whole pig raw, for supper. Grey-bearded men being boiled, fried, grilled, crimped, singed, eaten by wild beasts, worried by dogs, buried alive, torn asunder by horses, chopped up small with hatchets: women having their breasts torn with iron pinchers, their tongues cut out, their ears screwed off, their jaws broken, their bodies stretched upon the rack, or skinned upon the stake, or crackled up and melted in the fire: these are among the mildest subjects.
So, what do you think: Can you handle it?
If you can, remember that Santo Stefano Rotondo is closed Mondays and Sunday afternoons; otherwise, it's open from 9:30am-12:30. It's also open 3pm-6pm in the summers, and 2pm-5pm in the winter. The address is Via di Santo Stefano Rotondo 7, about a 10-minute walk from the Colosseum or from San Giovanni in Laterano, and right nearby the Basilica of Santi Quattro Coronati. For more information about the church, click here. For a map, click here.
A confession: I sort of feel the same way about San Crispino, one of Rome's most famous gelaterias, as I do about the book Eat, Pray, Love.
Eat, Pray, Love wrapped up a long-established idea (travel as a journey of self-discovery!) that's still a bit underaccepted by Americans (isn't traveling for a year hippy-dippy and selfish?) in an appealing package (easily-relatable 30-something woman finding her independence, and, in true Disney fashion, love!) that still seems just-off-the-beaten-path-enough to be original (would you quit your job to travel for a year? Well, maybe if you had the cash advance she did, but still….)
Similarly: Il Gelato di San Crispino takes the concept of using fresh, organic ingredients (not exactly a new culinary idea, at least here in Italy) that's still seen as a bit rare (given the number of gelaterias that don't do this) in an appealing package (I mean, it's gelato, and it's near two of Rome's biggest tourist sites).
And just as Eat, Pray, Love found wild success, so — it seems — has San Crispino. As well as franchising (there are now two of the stores), San Crispino's even gotten a movie cameo. In a movie about a woman traveling to Rome to find herself. What was the name of it? Oh, yeah. Eat, Pray, Love. Go figure.
Now, I like San Crispino. Maybe even more than I like Eat, Pray, Love. But I wouldn't call San Crispino the best gelateria in Rome. Its flavors, like the chapters of the book, can be a little uneven in their poignancy and effectiveness. (Okay, I'll stop now). I prefer the creamy texture of the gelato at Ciampini, just up the road. And San Crispino is a little pricier than other gelaterias, with the cheapest cup, for just one taste of one kind of gelato, coming in at €2.50.
That said: I still sometimes recommend the place. Why? First of all, when other gelaterias that "foodies" tend to tout are on Rome's outskirts (like Il Gelato di Claudio Torcè, out in E.U.R.), San Crispino is right in the center. It's convenient. And as corny as it is, you can't underestimate how watching the sunset light up the dome of the Pantheon while noshing seems to make your gelato taste that much better. (The only way, I'm guessing, that all of the restaurants on that piazza manage to stay in business).
Secondly, lots of other people, from La Pergola's Heinz Beck to Elizabeth Gilbert herself, are obsessed with San Crispino gelato. It's obviously a crowd-pleaser. And third, the fruit flavors do taste pretty darn fresh. I especially like their black fig, blackberry, and plum. The ginger-and-cinnamon is a favorite, too.
So: Go. Just please, leave the copy of Eat, Pray, Love in your hotel room to keep the gelateria from imploding by sweet-stuff overload.
Il Gelato di San Crispino. Via della Panetteria 42 (Trevi location) or Piazza della Maddalena (franchise at the Pantheon. For a map, click here.
Don’t be sad that the summer is ending and, with it, Rome’s best summer’s events! The autumn brings a new slew, too. I’ll be updating this as we go along, so check back for more exciting events.*
September 17-20. The Colosseum will be set on fire (virtually) in an art show by Thyra Hilden and Pio Diaz. 8:30pm-2am Friday, Saturday and Sunday.
September 19-20. La Notte di Raffaello. The newly-restored Palazzo Barberini opens Sunday night and Monday, offering free guided tours to the public.
September 21-December 2. RomaEuropa Festival. The annual festival, now in its 25th year, boasts a series of music, dance and theater performances. Highlights this year include a production of “Orpheus” with hip-hop music and music by Monteverdi and Philip Glass, the British rock group “The Irrepressibles,” and Laurie Anderson’s “Delusion,” a multimedia series of mystery plays that include violin, puppetry, and visuals.
After two years, the €5 million restorations at the Palazzo Barberini have finished. To celebrate, the museum is opening its doors to visitors for free on Sunday, September 19.
Called "La Notte di Raffaello" in honor of one of the collection's most famous paintings, Raphael's portrait of La Fornarina or "baker's daughter" (above), the inaugural event should include free guided tours to the public. The event begins at 6pm Sunday, September 19; the exhibit will also be open on Monday, September 20. (It's usually closed Mondays). If you go, particularly make sure to check out the newly-restored fresco by Pietro da Cortona on the ceiling of the Grand Salon.
As of late August, the Palazzo Barberini folks still weren't sure exactly what the opening hours or when the guided tours would be, since they said (apologetically) that work is still continuing on the building. So stay tuned. I'll keep updating this post here as I get more information.
Update, 9/13:The Palazzo Barberini will definitely be open from 6pm till midnight on Sunday, and the Grand Salon will be open. However, they're still unsure about tour times.
